Posted by: austinmusicteacher on: March 28, 2010
On May 24, 12 students participated in the National Guild of Piano Teachers auditions. In reality, they are not auditions, but rather a venue in which students challenge themselves to perform memorized pieces to the best of their ability for a judge. The commendations and suggestions for improvment enable students and also the teacher, to improve and become better musicians. At the Spring Recital, each participant is presented with a pin, certificate and report card.
Those students who performed are: Kalyani Allums, Lauren Ballard, Krista Bangs, Will Brookhart, Karen Cramer, Evan Fletcher, Aubrey Kern, Arina Moin, Chinmay Murthy, Noah Simon, Maggie Welland, Lia Wiese. Every student received a Superior minus or better. It was a very gratifying experience for all.
See Special Events for more in-depth information about the National Guild of Piano Teachers.
Posted by: austinmusicteacher on: March 12, 2010
1.Hanon Exercises: The repetitive patterns are learned, then played from memory with increasing speed. They can be done almost by rote in a short time, accessing a part of the brain that uses predictability and pattern recognition.
1a.Schmitt: These are simply 5-finger patterns that change with every measure, being repeated only once, and move in subtle differences of interval and fingering. The brain is constantly engaged in note reading , at the same time focusing on controlled, increased speed.
The two exercises are contradictory and complimentary at the same time and should be used within the practice format.
2. White keys: When teaching the early elementary student to know the white keys, I use a couple of poems. I always have them find “D” first, and have them repeat, “Hey Diddle Diddle, D’s in the middle.” Then they find and play all of the D’s on the keyboard. They pick this up quickly and then I ask, “Who is D’s neighbor going up?” They find all of the E’s. I ask, “Who is D’s neighbor going down?” C…and they find all of the C’s. Then I ask them to find the groups of C-D-E’s. Depending upon the age and ability, I go on to F-G-A-B in the same manner, or I wait until the next lesson to cover the 4 remaining keys. I also use this poem for naming the MUSICAL ALPHABET going up and back down.
Seven Little Keys Are We…. A B C D E F G
Down We Go Now Let Us Say…G F E D C B A
3.Lesson on how to read groups of notes or chords. Read the example below and then the suggestions afterward.
Cna yuo raed tihs? Olny 55 plepoe out of 100 can.
i cdnuolt blveiee taht I cluod aulaclty uesdnatnrd waht I was rdanieg. The phaonmneal pweor of the hmuan mnid, aoccdrnig to a rscheearch at Cmabrigde Uinervtisy, it dseno’t mtaetr in waht oerdr the ltteres in a wrod are, the olny iproamtnt tihng is taht the frsit and lsat ltteer be in the rghit pclae. The rset can be a taotl mses and you can sitll raed it whotuit a pboerlm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe. Azanmig huh? yaeh and I awlyas tghuhot slpeling was ipmorantt!
This example of reading groups of letters and making sense of them is the same concept as reading groups of notes, either in a measure, a chord or a phrase. Use this same process to read more effectively while keeping the eyes ahead of the hands. You will become a faster, more accurate reader and a better musician.
4.Playing Scales: When students are playing scales, I have a deck of cards handy. Why? When the thumb turns under or the crossing fingers go over, the wrist sometimes turns as well, causing the elbow to rise. A deck of cards placed on the hand will not allow twisting, or it falls off. The students think it is funny and it really does help form the correct habits.
To remind of the correct hand and finger position, I say, “No flying fingers,” or “Keep those fingers on their home keys.”
5. Repeat and Remember! I always recommend that each piece be played 5 times. The first time there will be mistakes. The second time those mistake will hopefully be fixed. The third, fourth and fifth times will solidify the corrections and then next practice session will reflect the memory of the corrections.
In the case of a difficult passage, isolating and repeating a measure or a phrase is the key to solving the problem. Then add the next few notes or phrase, and if successful, add the previous few notes or phrase. Continue to repeat the larger section until confident and muscle memory is acheived.
6. More on Chords: See chords as words. Spell the chord – root, third, fifth. Play solid chord, broken chord. Invert in three (or four for 7ths) positions, continuing to spell the letters. This is like reading a word instead of letters.
7. Computer Music Games and Worksheets: A particularly diversified and helpful site is:http://www.musictechteacher.com/musicquizzes.htm Try the worksheets and games. They are all good but I recommend Flash Piano Games, Fabulous 4, How is your Timing and lots of othere fun games.
Check back for new sites and ideas for learning with fun.
Posted by: austinmusicteacher on: December 18, 2009








Due to the number of performers, two recitals were held on Saturday, December 12, at First Baptist Church, Austin. Both went very well, and were followed by individual receptions, awards and photos. Several duets played by students with parents were a special addition. The unanimous opinion is to continue to present two recitals, each of which have approximately 18 performers. With this time frame, little ones don’t get fidgety and everyone enjoys the entire performance without feeling distracted. I was very pleased with all performers.
Posted by: austinmusicteacher on: December 4, 2009
As a seasonal business, I create entirely handmade ornaments from wood. The wide variety of styles are personalized with names, dates, and more. When I heard the DJ’s on Majic 95.5 talking about their love of ornaments, I called to offer a couple of mine for their collection. Yesterday I went by the studio to deliver them, and was overwhelmed with their enthusiasm and gratitude. Today I am on Kim Stewart’s blog with a photo and mention of my website.
A couple of my music ornaments are below, but there are many more. Please contact me for more photos and info.
“She makes these by hand and it’s just so awesome. Thanks Marty!! ”
Posted by: austinmusicteacher on: July 12, 2009
I welcome and encourage comments from current and former students. Suggestions will only create a better program.
Marty McAllister teaches private piano to many of my students. They all LOVE her, not because she is easy on them. She actually teaches young students how to play the piano, not just practice exercises. I am proud to say I HIGHLY recommend Marty! Melody A. Long Music Specialist Bryker Woods Elementary School Austin, Texas
Marty is a wonderful piano teacher! She teaches theory and technique with a nice mix of classical music and enough stuff to keep my two children interested. She is encouraging and demanding at the same time and my children adore her. Whenever my kids play, people inquire about their teacher—a compliment to Marty. Carol Brookhart
We have been taking lessons with Marty for 3 years. She is patient and enthusiastic and can adapt her teaching style to all different personality types. A true professional. Holly Wiese
Posted by: austinmusicteacher on: June 6, 2009
The computer learning options included in my studio are games to enhance concepts, timed note flash cards games, and the Sibelius program, which has many options for composition, editing, notation and listening, beginning through advanced capabilities.
Posted by: austinmusicteacher on: June 4, 2009
Not every student wants to explore improvisaton but for those who do, there is ample material included in my curriculum to learn the basics of chord progressions, 12 bar blues patterns, and individual compositional techiniques. Building skills through a step by step process learning of rhythm, theory, harmony and melody enables students to create original compositions. Using the Sibelius computer program, the compositions are able to be transferred to the computer and printed in a professional sheetmusic format.
Tags: 12 bar blues, chord progressions, composition, harmony, Improvisation
Posted by: austinmusicteacher on: June 4, 2009
Austin District Music Teachers Association gave theory tests in November 2009. Students must be tested in ear training and knowledge of musical symbols, key signatures and rhthym exercises according to grade level. Adequate preparation is strongly advised and offered in the studio.
Fall test participants: John DiCarlo, Olivia Hardick, Aubrey Kern, Maggie Welland, and Evan Fletcher. All of the students received scores from the mid 90′s to 101. Medals will be presented at the recital.
Test will be held again in the spring.
Six students are signed up to take the Fall Theory Test and will be reviewing materials focusing on the tests.
Deadline for fall membership in Student Affiliate is September 25. Students must be a member to take the State Theory Test in October. Preparation is ongoing.
Posted by: austinmusicteacher on: May 12, 2009
Individual lessons are 30 minutes for young children, 45 minutes for older children and adults. Hour lessons are also available. During each lesson, the following catagories will be covered. Arpeggios, scales, review of assigned pieces, introduction of new material, a theory lesson, and tips for improving and polishing performance pieces. Aspects of music history are included when helpful with reference to current material. The amount of information in each catagory varies with the skill level.